Dark brown on rice — I’m doing wild-rice this week. What I think of the article is that the writer didn’t do his homework. He is not talking, for the most part, about fantasy per se, but about high fantasy (where entire alternative worlds are created). If you expand it to include all fantasy (and especially if you allow magical realism) Jews are represented at least, if not more, than our demographic numbers. And that’s not including all the Jews who write fantasy, but not necessarily “Jewish” fantasy. (For that matter,

FWIW, I think at least one of the larger reasons that there isn’t a lot of Jewish high fantasy is that Jews don’t (and haven’t for a bit under 2000 years) do the whole hierarchy-central government thing, and most people who build fantasy universes do it from the top down; it probably helps to have grown up in a culture that is organized that way.

http://www.therestisnoise.com/2005/02/applause_a_rest.html

He quotes Mozart writing to his dad about the reception of one of his symphonies:

“Right in the middle of the First Allegro came a Passage I knew would please, and the entire audience was sent into raptures — there was a big applaudißement; — and as I knew, when I wrote the passage, what good effect it would make, I brought it once more at the end of the movement — and sure enough there they were: the shouts of Da capo.”

Ever since reading this I’ve been tempted to go to a classical concert and applaud in a historically appropriate manner, but I’m not quite brave enough to face the rest of the audience’s reactions.

And classical music had its claques just like theatre.

And let’s not forget the riot started by the premiere of Stravinsky’s Rite of Spring. No really, a literal riot. Not an auspicious debut.

Jerry–I’m certainly not saying you shouldn’t have asked the person to turn off their phone. I’ve shushed people, too. I only find it amusing that some folks seem to believe there was once a time when attending live performances was a genteel experience. This might be true for classical music, but I’ve taken theater history and it’s NEVER been true for the performing arts.

Oh, and if you’re still going around being fat at people, it’s obviously because you haven’t been shamed enough. Because we all know that shaming fat people and refusing to design attractive clothing for them is the MOST effective way to get them to lose that weight. (rolls eyes)

MJ–a friend of mine sent me the link, and I didn’t want to ask.

Katherine–I like the belted cardigan look on everyone but me. I can’t do it right, for some reason. On other women it makes them look more professional and accentuates their waists. On me it creates weird pockets and lumps and wrinkles. Don’t know if I’m belting too high, too low, too tight, too loose, or if I just don’t have the figure for it.

Carolyn–I think cardigan design has improved in the past few years. Cardigans used to be boring, now they come in all kinds of interesting shapes and textures. Also, I think they’ve become more acceptable as professional wear for women. Let’s face it, blazers just don’t do you any favors if you have a bust.

More than once I’ve used my own phone to light my way when I couldn’t find a working light switch. They’re pretty damned bright nowadays.

I appreciate the bit of FA-ese. Somehow I continue to blatantly, brazenly be fat at everyone in my vicinity, no matter how many of them point out to me that I am. When oh when will I learn?