One of the things I look forward to every fall is the beginning of theater season. Tonight, we’re going to see “Mr. Roberts” at New Rep, our first show of the season.
I used to work in theater when I lived in Kansas City, and when I moved to Boston, it took me a long time to figure out what theater companies were good. As a grad student, I didn’t have a lot of money to play with–and let’s face it, theater tickets are expensive. Most folks will rent or go see a movie that they know they may or may not like, but if you’re plunking down theater money, you want more of a guarantee.
So if you’re new in town, too, or just don’t get to see as much theater as you’d like, here’s my recommendations. Mr. Improbable and I have season tickets to all three of these companies:
Central Square Theater. This is a new theater in the heart of Central Square, that houses two separate companies: Nora Theatre and Underground Railway Theater.* (Yes, the inconsistent spellings drive me nuts, too. Personally, I’m a believer in “-er” style theater. We’re not British, a fact rather decisively established over 200 years ago.) Nora does more traditional plays, while URT has a more community-based, experimental approach — not in some godawful way where they’re going to make audience members come on stage and relive their birth or anything, so don’t worry about that. It’s perfectly normal theater, but there might be some puppets, and the script might have been written by someone who lives in your town. You can handle that, can’t you?
Central Square Theater also has an outstanding subscriber package this year: you can get tickets to all six shows for only $150, and they even throw in parking and a free drink! And their 2009-2010 season has wonderfully diverse offerings, from a Pinter classic, to a holiday combo of two one-acts by Grace Paley and Truman Capote, to a brand-new play about evolution, to a play about — an advice columnist! Oh yes, we’ll be cooking up some fun publicity events for that one, I assure you.
Actors’ Shakespeare Project. I’ve written about these guys before: they’re simply brilliant. This is Shakespeare the way I’ve wanted to see it done all my life. ASP plays in a lot of different venues, so that can be fun as well, seeing how the actors employ different, and sometimes quite challenging, spaces — ASP doesn’t limit itself to actual theaters to perform in. That would be too easy.
New Repertory Theatre. These guys used to be in Newton, and are now in the Arsenal Center for the Arts in Watertown. This means that before the show, you want to go get dinner at Casa de Pedro. (Isn’t it funny how much more classy that sounds than “House of Pete”? I recommend the “cod a la Ozzy Guillen.”) New Rep is the most conservative of the three companies I mention: they do a standard mix of old and new plays, comedies and dramas, and one musical every year. And they do them well, with great fidelity to the script and superb production values.
Season tickets are still available to all three theaters, and I have to say that if you can afford it, this is the way to go. It’s much easier to organize than buying tickets on a show-by-show basis. (And don’t worry about the fact that you don’t know what you’re going to be doing on the third Thursday in May yet, so how can you possibly commit to “Hot Mikado”? You can always exchange your tickets for a better date if it turns out you can’t go when you thought you could.)
*Full disclosure: I’m on the board of URT, which is why I recommend but won’t review their plays.