… so that’s who the mysterious woman in the mirror is. But why is she there?
Tag Archives: theater
I’m going to be leading a talkback for “Table Manners” at Arlington Friends of Drama this Sunday. Share your own dinner-table memories on my other blog, and I’ve still got two tickets to give away to the first person who asks!
As part of the Cambridge Science Festival, Mr. Improbable will be putting on two shows at Central Square Theater next week. Do you like things (and people, and songs) that first make you laugh and then make you think? Then join us! Here’s the deets:
Scientists (and Friends) Sing Improbable Science Songs
Monday night, May 2, 7:30 pm
A benefit for the Catalyst Collaborative@MIT Science Theater Project
Some of the world’s great scientists (and some friends from the Boston area’s theater and music communities) perform songs by Tom Lehrer, songs from the Ig Nobel Prize ceremony mini-operas, and other beloved, and hated, purportedly funny songs about science, including: New Math, Pollution; Poisoning Pigeons in the Park; Stress Analysis of a Strapless Evening Dress; the mini-opera Atom & Eve; The Coffee Diet, and much more!
Frank Wilczek (Nobel physics prize winner) & Teresa Winner Blume (soprano), Deborah Henson-Conant (jazz harpist, Museum of Burnt Food), Debra Wise (Underground Railway Theater), Ben Sears & Brad Conner (cabaret), and many more!
Improbable Research After Dark
Saturday night, May 7, 11 pm (After “Breaking the Code“)
A benefit for the Catalyst Collaborative@MIT Science Theater Project and Improbable Research
Dramatic, 2-minute-long readings of Ig Nobel Prize-winning studies and patents, performed by some of the Boston area’s leading scientists, actors, and journalists. These are studies that make people laugh, then think. Studies include: “Effect of Coca-Cola on Sperm Motility”, “Farting as a Defense Against Unspeakable Dread,” “The Collapse of Toilets in Glasgow,” “Homosexual Necrophilia in the Mallard Duck,” and many more.
Warning: Do not come to this event if you are easily offended by anything.
TICKETS: $15/$30 online here or call 866-811-4111
Don’t those sound fun? If you wanted to make it a full night of science theater, you could also attend the brilliant, brilliant performance of “Breaking the Code” before the Saturday show. It’s a play about the life of Alan Turing, a British mathematician considered the father of modern computing. Mr. Turing helped break the Nazi’s Enigma code in World War II, only to be hounded to his death by the forces of intolerance at home.
On Sunday Mr. Improbable and I went to see “Ti-Jean and His Brothers” at Central Square Theater. It’s a wonderful show!
And though I was excited to see it, I was even more excited that the sidewalks were clear enough to wear non-weather boots, specifically, this fun pair of cowboy boots I bought on eBay:
This entire outfit–boots, dress, cardigan–came from eBay. I bought the fiber-art necklace on Etsy and the tights are from We Love Colors. The bangles are from World Market.
“Ti-Jean” is set in the Caribbean, and if it hadn’t been for the weather, I’d have tried to wear something more … island-y. I believe in dressing up for the theater: in the performing arts, the audience is part of the experience, and I want to be a good part of yours. At the very least, I do not want to actively detract from the aesthetic experience. This, I think, is basic theater etiquette. Where I like to go a little above and beyond that is in trying to actually dress a bit in the spirit of the play. Not so’s it looks like I wandered out of the greenroom by mistake, but–well, this would have been an outfit I’d more likely wear to “Oklahoma!” or perhaps “Of Mice and Men.” The Russian shawl when seeing Chekhov, red lipstick and slicked-down hair for “Cabaret,” flamboyant colors and “statement jewelry” for “Taming of the Shrew,” and so on.
It’s my thing.
How’s your Halloween weekend shaping up? If you have no plans for next Friday night, come see me in “The Big Broadcast of 1946,” a live radio extravaganza at the Somerville Theater in Davis Square. The show runs October 28-31 (Thursday through Saturday evenings; Sunday matinee) and the Friday, October 29 performance will star your very own Miss Conduct in the illustrious role of “Bar Patron.” (Since the show is set in 1946, I’ll be rocking the Rosie the Riveter look.)
Tickets are $15 in advance and $20 at the door.
Except for the two comps I have, which are free! I’m going to give these to the first person who asks. The tickets are good for any performance, though of course I hope you’ll come see mine!. And, on the honor system, if you’ve won tickets before, let someone else have a chance. (If they’re not gone in a day or two I’ll open it up to everyone.)
And if you have no plans on Halloween night itself, come to W00tstock! Mr. Improbable will be an entertainer there, and I’ll be in my flapper gear. We’re not quite sure what W00tstock is, but we’re looking forward to it!
I’m running a contest on my Miss Conduct blog to win tickets to Central Square Theater’s production of “Moon for the Misbegotten.” What are your best stories of hellos and goodbyes, of meetings and farewells? Tell me!
Meredith Goldstein of the Globe’s “Love Letters” column and I had such a good time at Central Square Theater’s Ann Landers play “The Lady with All the Answers” last month, and our pre-show discussion went so well, that the theater has invited us back for an encore performance!
We’ll be doing another appearance this Saturday, June 12. The show starts at 8pm and the discussion starts at 7. The theater has a nice snack bar with tea, coffee, soft drinks, beer and wine, so you can grab a beverage and join us for a nice dish about the advice business. How would you answer some of Ann’s classic questions?
I have two tickets to give away, so go the Monday question on my boston.com blog and leave a comment if you want to go — I’ll pick a winner at random* and announce it at 5pm on Tuesday.
*As someone trained in the social sciences, if there’s one thing I can do, it’s random selection.
Meredith Goldstein, of the popular “Love Letters” blog, and I are doing an event next Saturday at Central Square Theater in conjunction with their production of “The Lady with All the Answers,” a play about Ann Landers.
Meredith and I will be doing a symposium before the play, at 7:00 pm (the play starts at 8:00) and a post-performance reception at Rendezvous restaurant. Join us for a fun evening!
You can buy tickets online. I’ve also got two seats that I’ll be giving away on Monday on my boston.com blog.
I hope to see you there!
What is with all this Shakespearean nonsense about Macduff not having been “of woman born”? McSweeney’s puts that lie to the test:
MACDUFF: I was extracted surgically, in an operation.
MACBETH: Okay, but thou wast still born, right?
MACDUFF: No. Untimely ripped.
MACBETH: Okay, but after thou wast ripped, thou wast of woman born.
It’s another theater ticket giveaway!
“Not Enough Air” at Central Square Theater opens today and runs through March 14. Be the first to comment on this post, and I’ll give you two tickets, along with complimentary parking and drink vouchers. (Previous winners John H. and Elizabeth aren’t eligible; part of the reason I do this is to introduce new people to this wonderful theater.)
I can’t review the play, partly because I am on the board of the theater, but more to the point because I haven’t seen it. However, it sounds absolutely fascinating — a brand-new play about a playwright:
Drawn into the sensational 1920’s murder trial of Ruth Snyder, famed journalist-turned-playwright Sophie Treadwell finds herself compelled to give voice to Ruth’s story through her landmark play, “Machinal.”
And it’s being directed by Melia Bensussen, and that woman can direct the hell out of a play, I tell you what. She did Actors’ Shakespeare Project’s “Taming of the Shrew” this season and “Merchant of Venice” last, both of which were absolutely brilliant. So I think you’d be in for a good time at the theater — I know I can’t wait to see it on Sunday.
Who’s on first?
In the epic discussion of rudeness on the boston.com blog, a number of people mentioned changes in the political/media culture as responsible for a degradation of public discourse. I don’t allow partisan politics on that site, but talking about general trends is fine, and I agreed with many of the commenters.
In that spirit, may I present the most remarkable political smear ad of all time. Yes, it is real; it’s for the coroner’s seat in New Orleans:
I’ll let you pause for a moment to take that in.
I majored in theater as an undergraduate. You know the actor who played Igor probably got his theater degree at Louisiana State or some such, dreamed of playing Mister Mistoffolees on tour, maybe getting to do the one-man version of “Santaland Diaries” someday, or even Shakespeare … I hope for his sake that his hopes and dreams were already crushed before this happened. It sounds harsh of me, I know, but I am cruel only to be kind.
So, last night, Mr. Improbable and I went to see “Indulgences” at New Rep. It’s a very good play, funny and sharp and well-acted, hip but not too knowing. Highly recommended.
At any rate, during intermission, I was in the lobby when the house manager came in through a staff-only door and almost bumped a couple of older women. “Oh, my goodness, sorry, guys,” she gasped. “We’re not guys, we’re girls,” one of them snippily responded. Neither of them acknowledged her apology.
So after my trip to the ladies’ room, I went to the ticket counter and asked to speak with the house manager. “Hi,” I said. “I’m Robin Abrahams, and I write the ‘Miss Conduct’ etiquette column in the Globe. And I want you to know that it’s colloquially acceptable to call more than one woman ‘guys,’ and that it’s not acceptable to criticize strangers for minor faux pas. Those women were very rude, and I think you’re perfectly fine.”
Well, she had been feeling bad about it, so she was was delighted, and so was I. I felt like some minor little superhero or something! I don’t think I’ve ever enjoyed being “Miss Conduct” quite so much. (Actually, I sometimes find being “Miss Conduct” in public to be kind of a pain, but I’ll write about that some other day.)
But of course you don’t have to be an official etiquette columnist to do this. On the other blog we’re talking about rudeness, and how to respond to it. If the rudeness isn’t directed at you, but at someone else, don’t scold the offender — comfort the offended. Say, “That was unfair. What you did wasn’t wrong” or “You handled that very gracefully,” or even simply, “I’m sorry that person did that to you.” It can make a world of difference; really, it’s like you are taking a shamed person and leading them back into the light by the hand.
I mean, it’s a heck of a lot funnier if you’re Miss Conduct, but it’s just as kind no matter who you are.
The death of Miep Gies this week, at the age of 100, reminded everyone of her heroism in sheltering the Frank family during World War II. Right now, there’s a play at Central Square Theater that is strikingly reminiscent of Anne Frank’s story.
Harriet Jacobs, a literate slave, hid in a crawlspace for seven years before making her way to freedom. Ms. Jacobs’ intelligence, verbal dexterity, and moral clarity are reminiscent of George Orwell. I’m a member of the board of the company that co-produced the play, so I can’t give an actual review … but I suspect you’d like it. If I could express an opinion. Which I can’t.
And I have two extra tickets! So if you live in the Boston area, be the first person to comment on this post, and I’ll give them to you, along with complimentary drink vouchers and parking validation. No contest, no need to create a haiku or parody or recipe — just get firsties, and I’ll get you two tickets to a show that I’d say is really good, if I could say that.